The Amelia Alderson Opie Archive
Shelley King & John B. Pierce, Co-Editors, Department of English, Queen's University
Shannon Smith, Assistant Editor and Web Designer, Department of English, Queen's University
Andrea Terry, Assistant Web Designer, Department of Art, Queen's University
 
Life Portraits Works Music Bibliography
 
   

 

Criticism 1980-Present

Armstrong, Isobel. "Msrepresentation: Codes of Affect and Politics in Nineteenth-
            Century Women's Poetry." Armstrong, Isobel and Virginia Blain, Virginia (eds.),
            Women's Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-
            1900.
Basingstoke, England; Macmillan, 1999. 3-32.

Bradley, Andrea. "Correcting Mrs. Opie's Powers: The Edinburgh Review of Amelia
            Opie's Poems (1802)." Prose Studies 25 (2002): 41-61.

Eberle, Roxanne. "Amelia Opie's Adeline Mowbray: Diverting the Libertine Gaze; or, the
            Vindication of a Fallen Woman." Studies in the Novel 26.2 (1994): 121-52.

---. Chastity and Transgression in Women’s Writing, 1792-1897: Interrupting the
            Harlot’s Progress. Houndmills, Basingstoke: Palgrave, 2002.

---. "'Tales of Truth?': Amelia Opie's Antislavery Poetics." Linkin, Harriet Kramer and
            Behrendt, Stephen C. (eds.), Romanticism and Women Poets: Opening the
            Doors of Reception
. Lexington, KY: UP of Kentucky, 1999. 71-98.

------. Women and Romanticism, 1790-1830. 5 vols. New York; Abingdon,
            UK: Routledge, 2006.

Farrant, Ann. "Amelia Opie's Anti-Slavery Poems for Children." Children's Books
            History Society Newsletter
74 (2002): 12-6.

Fergus, Jan, and Janice Farrar Thaddeus. "Women, Publishers, and Money, 1790-1820."
            Studies in Eighteenth-Century Culture 12 (1987): 191-207.

Howard, Carol. "'The Story of the Pineapple': Sentimental Abolitionism and Moral
            Motherhood in Amelia Opie's Adeline Mowbray." Studies in the
            Novel
30 (1998): 355-76.

Howard, Susan K. "Amelia Opie (12 November 1769 - 2 December 1853)." Mudge,
            Bradford K. (ed. and introd.), British Romantic Novelists, 1789-1832. Detroit,
            MI: Gale, 1992. 228-33.

Kelly, Gary. "Amelia Opie, Lady Caroline Lamb, and Maria Edgeworth: Official and
            Unofficial Ideology." Ariel: A Review of International English Literature 12.4
            (1981): 3-24.

---. "Discharging Debts: The Moral Economy of Amelia Opie's Fiction." The
            Wordsworth Circle
11 (1980): 198-203.

---. English Fiction of the Romantic Period, 1789-1830. Longman Literature in English
            Series. London: Longman, 1989.

---. "Opie , Amelia (1769–1853)," Oxford Dictionary of National Biography. Oxford
            University Press, 2004 [http://www.oxforddnb.com/view/article/20799]

King, Shelley. "Amelia Opie's 'Maid of Corinth' and the Origin of Art." Eighteenth-
            Century Studies
37.4 (Summer 2004): 629-52.

---. “Politics, Poetics, and Propriety: Reviewing Amelia Opie.” Romanticism on the Net
            29/30 (May 2004): 1-15.

--- and John B. Pierce. "Introduction." Adeline Mowbray. London: Oxford UP, 1999. vii-xxxii.

--- and John B. Pierce. "Introduction." The Father and Daughter with Dangers of
            Coquetry
. Peterborough: Broadview Press, 2003. 11-51.

Mahon, Penny. "In Sermon and Story: Contrasting Anti-War Rhetoric in the Work of
            Anna Barbauld and Amelia Opie." Women's Writing 7 (2000): 23-38.

Michaelson, Patricia Howell. "Polite and Plain Language; or, Amelia Opie 'Quakerized.'"
            Speaking Volumes: Women, Reading, and Speech in the Age of Austen. Stanford:
            Stanford University Press. 64-97.

Shattock, Joanne. The Oxford Guide to British Women Writers. New York: Oxford UP,
            1993. 325-6.

Simmons, James R., Jr. "Amelia Opie (12 November 1769 - 2 December 1853)."
            Greenfield, John R. (ed. and introd.), British Short-Fiction Writers, 1800-1880.
            Detroit, MI: Gale, 1996. 261-4.

Staves, Susan. "British Seduced Maidens." Eighteenth-Century Studies 12 (1980-1): 109-34.

Thame, David. "Amelia Opie's Maniacs." Women's Writing 7 (2000): 309-26.

Todd, Janet, ed. British Women Writers: A Critical Reference Guide. New York:
            Continuum, 1989. 514-16.

Tong, Joanne. "The Return of the Prodigal Daughter: Finding the Family in Amelia
            Opie's Novels." Studies in the Novel 36.4 (Winter 2004): 465-83.

Ty, Eleanor. Empowering the Feminine: The Narratives of Mary Robinson, Jane
            West, and Amelia Opie, 1796-1812
. Toronto: University of Toronto Press, 1998.

Wake, Anne Frank. "Indirect Dissent: Landscaping Female Ageing in Amelia Opie's
            Paris of the 1790's." Crucuin, Andrian and Kari E. Lokke (eds.), Rebellious
            Hearts: British Women Writers and the French Revolution.
Albany: SUNY, 2003.
            261-89.

Wallace, Miriam. "Introduction." Memoirs of Emma Courtney by Mary Hays / Adeline
            Mowbray; or the Mother and the Daughter by Amelia Alderson Opie. Glen Allan,
            VA: College Publishing, 2004.

 

   
 
Life Portraits Works Music Bibliography
 
 

Please address all queries, both scholarly and web-related to: opie.archive@queensu.ca