Pedagogy

ARTH-120 Introduction to Art History
ARTH-232 Canadian Art
ARTH-303 The 2 min. Louvre: Art and Tourism in the Modern World
ARTH-434 Non-Western Art in Western Collections




ARTH 804 Topics in Critical and Cultural Theory

ARTH 804 Art and Globalization

ARTH-805 Art Historiography: Environmental Studies in Art History
ARTH-806 Studies in Iconography: Critical Approaches to Landscape
ARTH-811 On Aboriginal Representation in the Gallery
ARTH-811 Museums, Marginality, and the Mainstream
ARTH-864 Art, Tourism and Modernity
ARTH-868 Assigning a Category: Inuit Video
ARTH-871 Mediating Art and Culture





Educational Development Faculty Associate, Centre for Teaching and Learning, Queen’s University


Leader, Research Group: Rethinking the Survey, Centre for Teaching and Learning, Queen’s University






Sarah Smith, Cultural Brokering: Art, National Identity, and the Influence of Free Trade.


Jocelyn Purdie, The Neighbourhood Imaginary: Considerations of Local Art Production in Unconventional Public Spaces.


Carla Taunton, Performing Resistance/Negotiating Sovereignty: Performative Interventions by Indigenous Women Performance Artists in Colonial and Post-Colonial Canada, Australia and New Zealand.


Debra Antoncic, Anti-communism in post-war Canadian Art History and Criticism.


Erin Morton, Visions which Succeed: Considering Visual Culture in Nova Scotia.


Andrea Terry, Claiming Christmas in Canada: Representation(s) of the Victorian Past and the Multicultural Present.


Kristin Campbell, Taste and Nation: Spaces of Viewing in London, 1775-1825.



Kristy Holmes (PhD), Negotiating the Nation: The Work of Joyce Wieland 1964-1976 (co-supervision).


Lindsay Leitch (MA), Gathering, Mending, Knitting: Craftivism and the Constructive Revolution.


Emily Rothwell (MA), Spinning Public Yarns: Janet Morton's Knitted Works as Dialogues on Urban Locality, Ecological Projects, and Community Histories (co-supervision).


Anna Samulak (MA), Krieghoff in Context: Tourism and Colonialism.


Kirsty Robertson (PhD), Tear Gas Epiphanies: New Economies of Protest, Vision, and Culture in Canada.


Taryn Sirove (MA), Pro-Feminist Men, Sexuality and Video Censorship: Re-Visiting Masculine "Habits" (1986) (co-supervision).


Shannon Bagg (PhD), Artists, Art Historians, and the Value of Contemporary Inuit Art.


Brian Donnelly (PhD),  Picturing Words, Writing Images: Design Contingent Meaning. 


J. Keri Cronin (PhD), Manufacturing Nature: Photography, Ecology and the Wilderness Industry of Jasper National Park.


Erin Morton (MA), Representing Region: Exhibiting Place in Nova Scotia.


Andrea Terry (MA), Claiming Christmas for the Tourist: ‘Living History’ at Dundurn Castle.


Kamille Parkinson, (PhD), Philip John Bainbrigge and the Group of 1838: Imperial Landscapes and The Colonial Art Scene in Canada.


Robb Surdu (PhD), Architectonics: Embodiments of the Therapeutic Sanctuary in Canadian Architecture, 1924-1934.


Andrea Kunard (PhD), Promoting Culture Through Photography in the National Gallery of Canada and the Still Photography Division of the National Film Board of Canada.

Laurie Dalton (MA), Maud Lewis and the Folklorization of Nova Scotia.


Derek Rushton (MA), Alternative Geographies of Identity: Two Decades of Art and AIDS Activism in Toronto (co-supervisor).

Nicola Spasoff (PhD), Building on Social Power: Percy Erskine Nobbs, Ramsay Traquair, and the Project of Constructing a Canadian National Culture in the Early Twentieth Century.

Kirsty Robertson (MA), ‘We Stand on Guard for Thee': Protecting Myths of Nation in 'Canvas of War'.

Annabel Hanson (MA), The Pantheon on Nepean Point? The Canadian War Memorials Collection in Historical Context.

J. Keri Cronin (MA), Changing Perspectives: Photography and First Nations Identity.







Undergraduate Teaching

Graduate Teaching

Teaching Development

2003-05

2003-05

Graduate Thesis Supervisions

In progress:

Recently completed: